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Steven Sharp Nelson (born July 5, 1977) is an American cellist.He is best known as "The Cello Guy" [1] [2] of the classical new-age musical group The Piano Guys, with whom he has released eight number-one albums and dozens of music videos.
Swan, inspiration for Saint-Saëns' piece Le cygne "Le cygne", pronounced [lə siɲ], or "The Swan", is the 13th and penultimate movement of The Carnival of the Animals by Camille Saint-Saëns. Originally scored for solo cello accompanied by two pianos, it has been arranged and transcribed for many instruments but remains best known as a cello ...
"Ach Gott vom Himmel sieh darein", Chorale en diminutio for cello and organ "In paradisum" for cello and organ "O gloriosa virginum" for cello and organ; Sonata for cello and organ; Léon Boëllmann. Variations symphoniques for cello and organ; Walther Böhme Two Pieces for cello and organ, op. 15; Émile Bourdon. Andantino religioso op. 15 ...
He start playing piano at age five, and took up the cello at age nine. In high school Fish studied cello with George Work at Iowa State University and Charles Wendt at University of Iowa. He graduated from Indiana University School of Music , where he studied jazz with David Baker and classical cello with Helga Winold.
Variations is a classical and rock fusion album. The music was composed by Andrew Lloyd Webber and performed by his younger brother, the cellist Julian Lloyd Webber.. The Lloyd Webber brothers were always very close but their two different careers (a rock musical composer and a classical cellist) meant that a collaboration seemed unlikely.
String Quartet No. 1 in G major (1947) Capriccio for cello and piano (1948) Studies in Improvisation for clarinet, horn, cello, piano and percussion (1959) Echoi for clarinet, cello, percussion and piano (1961–1963) Elytres for flute, 2 violins and chamber ensemble (1964)
For a full catalog raisonné containing the dates, places and participants of premieres as well as the names and sources for lost works (especially the early chamber and orchestral music), abandoned works (like the opera Silk or the film score to Goodbye, Mr. Chips), rejected works (like the film score to See No Evil) and withdrawn works (like the Cello Concerto No. 1) see Frédéric Döhl ...
The music begins in the piano, and the cello enters on a playful counter-melody in measure twelve, [2] [8] and the two instruments pass arpeggiated and scalar figures back and forth. [4] A more melodic section in D major begins in measure 33, and the fast-paced music passes through A major and E major before returning to G. [ 2 ]
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