Search results
Results from the WOW.Com Content Network
On the disco dance charts, "Movin'" went to number 1 for four weeks and spent a total of twelve weeks on the chart. [4] Outside the US, "Movin'" went to number 23 in the UK in 1976 [5] and peaked at number 24 as "Movin' 1988" when remixed by PWL's Phil Harding. [6] [7] [8]
Tamacha (transl. Smack) is a 1988 Hindi-language action film, produced by Prasan Kapoor under the Tirupati Pictures Enterprises banner and directed by Ramesh Ahuja.It stars Jeetendra, Rajinikanth, Amrita Singh, Bhanupriya in the pivotal roles and music was composed by Bappi Lahiri.
Bigil is the soundtrack album, composed by A. R. Rahman, to the 2019 Indian Tamil-language sports action film of the same name, directed by Atlee, starring Vijay.The soundtrack album consists of 5 songs, with 2 bonus tracks, all of them were penned by lyricist Vivek.
Tamasha is the soundtrack album, composed by A. R. Rahman with song lyrics by Irshad Kamil, to the 2015 Hindi film of the same name, directed by Imtiaz Ali and produced by Sajid Nadiadwala. The film stars Ranbir Kapoor and Deepika Padukone in lead roles. The album features nine tracks, and was released on 16 October 2015 by T-Series.
24 is the soundtrack album, composed by A. R. Rahman with song lyrics by Vairamuthu and Madhan Karky, to the 2016 Tamil film of the same name, produced by Suriya and directed by Vikram Kumar. The album features six tracks and was released on 9 April 2016 by Eros Music .
Approaching an original song for “The Color Purple” presented its own pressures. They had already worked with Bailey for “Be Yourself,” a Chloe x Halle song included on the soundtrack for ...
It was released in May 1975 as the third single and partial title track from the album Keep Movin' On. Originally, it was the theme song to the 1974-1976 NBC-TV series of the same name and references the lead characters of the series, Sonny Pruitt and Will Chandler, by name.
[13] [14] "Lips Are Movin" is a retro-tinged doo-wop and pop song, with production that makes use of handclaps, and a post-chorus chant reminiscent of the latter. The lyrics, too, reference it with the line, "I gave you bass/You gave me sweet talk." [15] [16] [17] Trainor assumes a Southern-inflected patois while singing over the song's ...