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Kamae (構え) is a Japanese term used in martial arts and traditional theater. It translates approximately to "posture". The Kanji of this word means "base". The implied meaning is 'readiness' or 'be ready'. Kamae is to be differentiated from the word tachi (立ち), used in Japanese martial arts to mean stance.
Chūdan-no-kamae is also called Seigan-no-kamae (正眼之構), or "right/correct eye posture," because the stance points the tip of the sword at the opponent's eyes. [1] In most traditional schools of swordsmanship, and in the practice of kendo , chūdan-no-kamae is the most basic posture, as it provides a balance between attacking and ...
Jōdan-no-kamae is one of the five stances in kendo: jōdan, chūdan, gedan, hassō and waki. In jōdan-no-kamae, the sword is raised above the head with the tip (kissaki; 切先) pointing back and the blade facing up, in readiness to strike. [1] It is the most aggressive stance of the five.
Hassō-no-kamae (八相（八双）の構, "all (eight) directions"), frequently shortened simply to hassō and occasionally called hassō-gamae, is one of the five stances in kendo: jōdan, chūdan, gedan, hassō, and waki. It is an offensive stance, named for one's ability to respond to a situation in any direction.
It is considered a variant of chūdan-no-kamae and therefore appearing as a defensive posture, but instead it is used to deflect blows and create striking opportunities. This stance is used as a transition from chūdan-no-kamae to a tsuki (突き; thrust). It is called the Kamae of Earth (地の構え, chi-no-kamae) in Yagyū Shinkage-ryū. [1]
The concept of maai incorporates not just the distance between opponents, but also the time taken to cross the distance and the angle and rhythm of attack; collectively, these all factor in to the exact position from which one opponent can strike other – e.g., a faster opponent's maai is farther away than a slower opponent.
Waki-gamae is a stance involving the swordsman hiding the length of one's own blade behind their body, only exposing the pommel to the opponent. This stance was common when there was no standard length of sword and was often used as a deterrent to any opponents who did not know the range of the sword being hidden and could be used as a sort of ...
While Nihon Kendo Kata uses all five kamae, Bokuto Ni Yoru Kendo Kihon-waza Keiko-ho uses only Chūdan-no-kamae, the most common stance. Instead of student and teacher roles, there are the equal roles of Motodachi and Kakarite. The Motodachi receives the waza of the Kakarite.