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For the series of Bond novels, Fleming realised that without threatening villains Bond seemed less heroic: this tradition of strong literary villain was brought across to the screen in the Eon series. [114] The third Bond film, Goldfinger, set a pattern for having a main villain with a loyal and dangerous henchman, [115] a model which was ...
The film's score was composed and conducted by John Williams. The soundtrack was nominated for Best Original Score at the 74th Academy Awards . The film introduces many character-specific themes ( leitmotifs ) that are used in at least one sequel as well, although most of the themes are only used again in Chamber of Secrets.
[a] They each make extensive use of the leitmotif, or a series of musical themes that represents the various characters, objects and events in the films. Throughout all of the franchise, which consists of a total of over 18 hours of music, [ b ] Williams has written approximately sixty or seventy themes, in one of the largest, richest ...
Film Year Director Music used from: Ref. The Birth of a Nation: 1915 D. W. Griffith "Ride of the Valkyries" [1] The Viking: 1928 Roy William Neill: Parsifal, Flying Dutchman, Die Walküre [2] Un Chien Andalou: 1929 Luis Buñuel: Tristan und Isolde [3] L'Age d'Or: 1930 Luis Buñuel: Tristan und Isolde [3] Murder! 1930 Alfred Hitchcock: Tristan ...
Opening credits and theme music to the television cartoon series Calvin and the Colonel. Theme music is a musical composition which is often written specifically for radio programming, television shows, video games, or films and is usually played during the title sequence, opening credits, closing credits, and in some instances at some point during the program. [1]
Leitmotif associated with Siegfried's horn call in Richard Wagner's 1876 opera, Siegfried. A leitmotif or Leitmotiv [1] (/ ˌ l aɪ t m oʊ ˈ t iː f /) is a "short, recurring musical phrase" [2] associated with a particular person, place, or idea.
Spider-Man: The New Animated Series (alternate continuation based on the 2002 film series) Spirit Riding Free (based on the film Spirit: Stallion of the Cimarron [9]) Spy Kids: Mission Critical (animated; based on the Spy Kids film series) Stir Crazy (based on the film of the same title) Sugarfoot (faithfully based on The Boy from Oklahoma)
The Grammy Award for Best Score Soundtrack for Visual Media is an honor presented to a composer (or composers) for an original score created for a film, TV show or series, or other visual media [1] at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards.
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