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This page was last edited on 12 January 2018, at 13:41 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
I de stora skogarna (In the Great Wild Woodlands), for female choir and piano (1983-87/1993) (arranged from I min älsklings trädgård) Canción de nuestro tiempo (Song of Our Times) (1993) Och glädjen den dansar (With Joy We Go Dancing) (1993) Die Erste Elegie (1993) Wenn sich die Welt auftut (When the World Opens Up), for female chorus (1996)
The Well-Tuned Piano: La Monte Young: 5-6 hours Premiered and recorded by the composer. [14] The History of Photography in Sound: Michael Finnissy: 5½ hours 365 (edition) [15] [16] A3 Premiered and recorded by Ian Pace. [15] [17] Performed by Mark Knoop. [18] Piano Symphony No. 6 (Symphonia claviensis) Kaikhosru Shapurji Sorabji 4¾ hours
The list differs from the 2004 version, with 26 songs added, all of which are songs from the 2000s except "Juicy" by The Notorious B.I.G., released in 1994. The top 25 remained unchanged, but many songs down the list were given different rankings as a result of the inclusion of new songs, causing consecutive shifts among the songs listed in 2004.
Songs that embody high levels of remembrance or catchiness are literally known as "catchy songs" or "earworms". [1] While it is hard to scientifically explain what makes a song catchy, there are many documented techniques that recur throughout catchy music, such as repetition , hooks and alliteration .
This page was last edited on 2 February 2022, at 18:33 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
In Genre, instrumental pieces are distinguished as orchestral and chamber music, particularly that for piano. The group of stage works contains operas, ballets and incidental music, while film scores are marked separately. Sacred and secular music for voice is divided in choral, for cantatas and motets, and vocal, holding songs and song cycles.
Biblical Songs (Czech: Biblické písně) is a song cycle which consists of musical settings by Czech composer Antonín Dvořák of ten texts, selected by him, from the Book of Psalms. It was originally composed for low voice and piano (1894, Op. 99, B. 185). The first five songs were later orchestrated by the composer (1895, B. 189).
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