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Occidentalism refers to a discipline that discusses the Western world (the Occident).In this context the West becomes the object, while the East is the subject. The West in the context of Occidentalism does not refer to the West in a geographical sense, but to culture or custom, especially covering the fields of thought, philosophy, sociology, anthropology, history, religion, colonialism, war ...
Art from the past 20 years is very likely to be included, and definitions often include art going back to about 1970; [5] "the art of the late 20th and early 21st century"; [6] "both an outgrowth and a rejection of modern art"; [7] "Strictly speaking, the term 'contemporary art' refers to art made and produced by artists living today"; [8] "Art ...
The meaning of spirituality has developed and expanded over time, and various meanings can be found alongside each other. [1] [2] [3] [note 1] Traditionally, spirituality is referred to a religious process of re-formation which "aims to recover the original shape of man", [note 2] oriented at "the image of God" [4] [5] as exemplified by the founders and sacred texts of the religions of the world.
In 1998, Jonathan Z. Smith wrote a chapter in Critical Terms for Religious Studies which traced the history of the term religion and argued that the contemporary understanding of world religions is a modern Christian and European term, with its roots in the European colonial expansion of the sixteenth century. [51]
Spiritualist art or spirit art or mediumistic art or psychic painting is a form of art, mainly painting, influenced by spiritualism. Spiritualism influenced art, having an influence on artistic consciousness, with spiritual art having a huge impact on what became modernism and therefore art today.
Postmodern religion acknowledges and accepts different versions of truth. For example, rituals, beliefs and practices can be invented, transformed, created and reworked based on constantly shifting and changing realities, individual preferences, myths, legends, archetypes, rituals and cultural values and beliefs.
Sauer was determined to stress the agency of culture as a force in shaping the visible features of the Earth's surface in delimited areas. Within his definition, the physical environment retains a central significance, as the medium with and through which human cultures act. [9] His classic definition of a 'cultural landscape' reads as follows: [7]
Creating new conventions of art-making, they made acceptable in serious contemporary art circles the radical inclusion in their works of unlikely materials. Another pioneer of collage was Joseph Cornell , whose more intimately scaled works were seen as radical because of both his personal iconography and his use of found objects .