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A clay model of a chicken, designed to be used in a clay stop motion animation [1]. Stop motion (also known as stop frame animation) is an animated filmmaking and special effects technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back.
Pixilation is a stop motion technique in which live actors are used as a frame-by-frame subject in an animated film, by repeatedly posing while one or more frame is taken and changing pose slightly before the next frame or frames. [citation needed] This technique is often used as a way to blend live actors with animated ones in a movie ...
Cutout animation is a form of stop-motion animation using flat characters, props and backgrounds cut from materials such as paper, card, stiff fabric or photographs. The props would be cut out and used as puppets for stop motion.
The stop-motion special was produced by the late Jules Bass and Arthur Rankin, Jr., who were already known for 1964’s Rudolph the Red-Nosed Reindeer, 1969’s Frosty the Snowman and 1970’s ...
Object animation is a form of stop motion animation that involves the animated movements of any non-drawn objects such as toys, blocks, dolls, and similar items which are not fully malleable, as plasticine (clay) or wax are, and not designed to look like recognizable human or animal characters.
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Stop-motion as well as cutout animation are used, just as Edwin Porter moved his letters in How Jones Lost His Roll, and The Whole Dam Family and the Dam Dog. However, there is a very short section of the film where things are made to appear to move by altering the drawings themselves from frame to frame. The film moves at 20 frames per second.
D. Darby O'Gill and the Little People; The Day Time Ended; The Daydreamer (film) Dinosaur (1980 film) The Dinosaur and the Missing Link: A Prehistoric Tragedy
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