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Spem in alium (Latin for "Hope in any other") is a 40-part Renaissance motet by Thomas Tallis, composed in c. 1570 for eight choirs of five voices each. It is considered by some critics to be the greatest piece of English early music .
First recording of Tallis Spem in alium. Porta à 13, à 14, Josquin Desprez à 24, Ockeghem à 36, Manchicourt à 6, Giovanni Gabrieli à 16, Striggio à 40. Sony Classical Vivarte SK 66261. [6] 1996 – Perusio: Virelais, Ballades, Caccia. Sony Classical Vivarte SK 62928. 1996 – Matthaeus Pipelare: Missa L'homme armé. Chansons. Motets.
I looked at the reference for the quote from Davies, but it appears that he is referring to a CD, rather than Tallis's Spem in alium. The quote should either be removed, or an unambiguous reference should be added into the article. Toccata quarta 13:39, 17 February 2014 (UTC)
Some other gigantic polychoral works from the same time include Thomas Tallis's famous and often-performed Spem in alium nunquam habui, for 40 voices, which may have been a response to hearing either the motet or the Mass in 1567; Stefano Rossetto's 50-voice motet Consolamini popule meus; and Cristofano Malvezzi's 30-voice intermedio for ...
In 2003, the group signed with Signum Records, with whom they have now released eighteen recordings, including an experimental recording of Thomas Tallis' 40-part "Spem in Alium", using modern studio multi-tracking techniques to turn their six voices into 40, the results of which can be heard on a Signum CD and Iambic Productions DVD, which ...
The name Judith (Hebrew: יְהוּדִית, Modern: Yəhūdīt, Tiberian: Yŭhūḏīṯ), meaning "praised" or "Jewess", [1] is the feminine form of Judah. The surviving manuscripts of Greek translations appear to contain several historical anachronisms , which is why some Protestant scholars now consider the book ahistorical.
The formula felt all too familiar. The Chiefs defense was generally stout and especially when it needed to be, keeping the Texans out of the end zone on two of their three red-zone incursions.
Thomas Tallis (/ ˈ t æ l ɪ s /; [2] also Tallys or Talles; c. 1505 – 23 November 1585 [n 1]) was an English composer of High Renaissance music.His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music.