Search results
Results from the WOW.Com Content Network
In music, a melody of four pitches where a straight line drawn between the outer pair bisects a straight line drawn between the inner pair, thus forming a cross. In its simplest form, the cruciform melody is a changing tone, where the melody ascends or descends by step, skips below or above the first pitch, then returns to the first pitch by step.
Adding transepts improved the stability of the log technique and is one reason why the cruciform floor plan was widely used during 1600 and 1700s. For instance the Old Olden Church (1759) replaced a building damaged by hurricane, the 1759 church was then constructed in cruciform shape to make it withstand the strongest winds. [10]
Cathedral floor plan (crossing is shaded) A crossing, in ecclesiastical architecture, is the junction of the four arms of a cruciform (cross-shaped) church. [1]In a typically oriented church (especially of Romanesque and Gothic styles), the crossing gives access to the nave on the west, the transept arms on the north and south, and the choir, as the first part of the chancel, on the east.
More often, the transepts extended well beyond the sides of the rest of the building, forming the shape of a cross. This design is called a Latin cross ground plan, and these extensions are known as the "arms" of the transept. [1] A Greek cross ground plan, with all four extensions the same length, produces a central-plan structure.
St. Patrick's is oriented west–east relative to the street grid and has a cruciform plan. From west to east, the cathedral contains a nave; transepts extending to the north and south; and a sanctuary and apse. [32] [62] [25] The entire structure measures 332 feet (101 m) long as measured along the exterior buttresses. The cathedral is 174 ...
What links here; Related changes; Upload file; Special pages; Permanent link; Page information; Cite this page; Get shortened URL; Download QR code
Plan of Old St Peter's Basilica, showing atrium (courtyard), narthex , central nave with double aisles, a bema for the clergy extending into a transept, and an exedra or semi-circular apse. The church building grew out of a number of features of the Ancient Roman period: The house church; The atrium; The basilica; The bema
Such cruciform churches were very common in the West during the Romanesque period. [2] The ideal church plan tended to be symmetrical around a central point during the Renaissance. [10] The longer arm of the Latin cross plan is the nave, which runs on an east–west axis and traditionally contains aisles or chapels.