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Frankenstein; or, The Modern Prometheus is an 1818 Gothic novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously ...
Victor Frankenstein is a fictional character who first appeared as the titular main protagonist of Mary Shelley's 1818 novel, Frankenstein; or, The Modern Prometheus.He is a Swiss scientist (born in Naples, Italy) who, after studying chemical processes and the decay of living things, gains an insight into the creation of life and gives life to his own creature (often referred to as ...
Margaret Webling (1 January 1871 – 27 June 1949) was a British playwright, novelist and poet. Her 1927 play version of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus is notable for naming the creature "Frankenstein" after its creator, and for being the inspiration of the classic 1931 film directed by James Whale.
Similar to the 1931 Universal adaptation of the character, Professor Waldman is aware of Frankenstein’s reanimation experiments and firmly objects to them. In the 2007 film Frankenstein , Andrew Waldman (portrayed by Neil Pearson ) is the friend and colleague of Victoria Frankenstein who helps to oversee the Universal Xenograft Project that ...
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Born in Italy, Elizabeth Lavenza was adopted by Victor's family.In the first edition (1818), she is the daughter of Victor's aunt and her Italian husband. After her mother's death, Elizabeth's father—intending to remarry—writes to Victor's father and asks if he and his wife would like to adopt the child and spare her being raised by a stepmother (as Mary Shelley had unhappily been).
The Revenge of Frankenstein is a 1958 Technicolor British horror film directed by Terence Fisher and starring Peter Cushing, Francis Matthews, Michael Gwynn and Eunice Gayson. [2] Made by Hammer Film Productions , the film was a sequel to The Curse of Frankenstein , the studio's 1957 adaptation of Mary Shelley 's 1818 novel Frankenstein; or ...
Here we find the symbolism of the dream, where the love kiss is transformed into a fatal incestuous embrace, where desire is the bearer of death. [17] Frankenstein's work unleashes into the world of men a creature of gigantic hideousness, scruffy, cadaverous, and it stops when it was not far from finding its fulfillment in the possibility of a ...