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The Book of the Courtier (Italian: Il Cortegiano [il korteˈdʒaːno]) by Baldassare Castiglione is a lengthy philosophical dialogue on the topic of what constitutes an ideal courtier or (in the third chapter) court lady, worthy to befriend and advise a prince or political leader.
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Baldassare Castiglione, Count of Casatico (Italian: [baldasˈsaːre kastiʎˈʎoːne]; 6 December 1478 – 2 February 1529), [1] was an Italian courtier, diplomat, soldier and a prominent Renaissance author. [2] Castiglione wrote Il Cortegiano or The Book of the Courtier, a courtesy book dealing with questions of the etiquette and morality of ...
From 1559 to mid-1565, Górnicki worked on a translation and adaptation of Baldassare Castiglione's Book of the Courtier (Il cortegiano). This was published in Kraków as Dworzanin polski (lit. ' Polish Courtier ') in 1566 and was dedicated to King Sigismund August. Górnicki followed Castiglione's model, but changed it to match the Polish ...
Charles V, Holy Roman Emperor, apparently had at his bedside three books: the Bible, Niccolò Machiavelli's The Prince, and Il Cortegiano (The Courtier ). [6] Through Castiglione's writings, the Italian ideals of Neo-Platonism, beauty and symmetry, and the amateur author, reached a wide humanist audience, [7] as did the new Italianate emphasis ...
Castiglione is seen as vulnerable, possessing a humane sensitivity characteristic of Raphael's later portraits. [5] The soft contours of his clothing and rounded beard express the subtlety of the subject's personality. In his The Book of the Courtier Castiglione argued on behalf of the cultivation of fine manners and dress. [5]
Baldassare Castiglione's The Book of the Courtier (1528), based on experiences of the courts of Urbino. Antonio de Guevara, Relox de príncipes (1529), inspired by and dedicated to Charles V, a bestseller of its times, translated during the 16th century to English, Latin, Italian, German, French and Dutch.
Elisabetta Gonzaga was immortalized by the writer Baldassare Castiglione, whose work of 1528, The Courtier, was based on his interactions and conversations with her. [7]A portrait of her around the years 1504 to 1506 is attributed to the artist Raphael and is in the Uffizi gallery, Florence, Italy.