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The Oxford History of Western Music is a narrative history from the "earliest notations " (taken to be around the eighth century) to the late twentieth century. It was written by the American musicologist Richard Taruskin. Published by Oxford University Press in 2005, it is a six-volume work on the various significant periods of Western music ...
During the 9th century, several important developments took place. First, there was a major effort by the Church to unify the many chant traditions and suppress many of them in favor of the Gregorian liturgy. Second, the earliest polyphonic music was sung, a form of parallel singing known as organum.
After 1960 he became more interested in philosophies of music history, due in large part to his publication of a general music history textbook, A History of Western Music. A ninth edition of the book was published in 2014; after Grout's death, the new editions were revised by Claude Palisca and J. Peter Burkholder. [2]
The Story of Music. The Story of Music is a work of nonfiction by English composer and broadcaster Howard Goodall, first published in 2013 by Chatto & Windus, which covers the history of largely Western classical music from pre-history to 2012. The book is associated with the 2013 BBC2 documentary series Howard Goodall's Story of Music.
Music history, sometimes called historical musicology, is a highly diverse subfield of the broader discipline of musicology that studies music from a historical point of view. In theory, "music history" could refer to the study of the history of any type or genre of music (e.g., the history of Nigerian music or the history of rock); in practice ...
Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. [ 1 ][ 2 ][ 3 ] Music is generally agreed to be a cultural universal that is present in all human societies. [ 4 ] Definitions of music vary widely in substance and approach. [ 5 ]
Syntagma Musicum. Syntagma Musicum (1614-1620) is a musical treatise in three volumes by the German composer, organist, and music theorist Michael Praetorius. It was published in Wittenberg and Wolfenbüttel. It is one of the most commonly used research sources for seventeenth-century music theory and performance practice. [1]
rism.info, rism.digital. The Répertoire International des Sources Musicales (RISM, English International Inventory of Musical Sources, German Internationales Quellenlexikon der Musik) is an international non-profit organization, founded in Paris in 1952, with the aim of comprehensively documenting extant historical sources of music all over ...
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