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SDC 2000 Spirit DataCine Film Deck, Lens Gate and Local Control Panel. Spirit DataCine is a telecine and a motion picture film scanner.This device is able to transfer 16mm and 35mm motion picture film to NTSC or PAL television standards or one of many High-definition television standards.
The Spirit DataCine, Cintel's C-Reality and ITK's Millennium opened the door to the technology of digital intermediates, wherein telecine tools were not just used for video outputs, but could now be used for high-resolution data that would later be recorded back out to film. [13] The DFT Digital Film Technology Spirit 4K/2K/HD (2004) replaced ...
Film-out of standard-definition video – or any source that has an incompatible frame rate – is the up-conversion of video media to film for theatrical viewing. The video-to-film conversion process consists of two major steps: first, the conversion of video into digital film frames which are then stored on a computer or on HD videotape; and secondly, the printing of these digital film ...
The work was performed at the Digital Film Lab in Copenhagen, using a Spirit Datacine to transfer the entire film to digital files at 2K resolution. The digital intermediate process was also used to perform a digital blowup of the film's original Super 16 source format to a 35mm output. [7] [8]
It provides several benefits over using a flatbed scanner to scan in a print of any size: the photographer has direct control over cropping and aspect ratio from the original, unmolested image on film; and many film scanners have special software or hardware that removes scratches and film grain and improves color reproduction from film. Film ...
Alexander Murray and Richard Morse invented and patented the first analog color scanner at Eastman Kodak in 1937. Intended for color separation at printing presses, their machine was an analog drum scanner that imaged a color transparency mounted in the drum, with a light source placed underneath the film, and three photocells with red, green, and blue color filters reading each spot on the ...
Alternatively a digital movie could be a film reel that has been digitized using a motion picture film scanner and then restored, or, a digital movie could be recorded using a film recorder onto film stock for projection using a traditional film projector. Digital cinema is distinct from high-definition television and does not necessarily use ...
This gives rise to the interesting observation that, for example, a standard definition television picture derived from a film scanner that uses oversampling, as described later, may appear sharper than a high definition picture shot on a camera with a poor modulation transfer function. The two pictures show an interesting difference that is ...
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