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"Three Times a Lady" is a 1978 song by American soul group Commodores for their album Natural High, written by lead singer Lionel Richie. It was produced by James Anthony Carmichael and Commodores. It was Commodores' first number-one hit on the Billboard Hot 100 , topping the chart for two weeks on August 12, 1978, and also reached number one ...
This is an A–Z list of jazz tunes, which includes jazz standards, pop standards, and film song classics which have been sung or performed in jazz on numerous occasions and are considered part of the jazz repertoire. For a chronological list of jazz standards with author details, see the lists in the box on the right.
Rolling Stone lists "Jazz (We've Got)" on their list of 20 essential songs from the group. [4] On their list of 10 lyrics that prove Phife Dawg 's talent, Pitchfork included a rhyme from "Jazz (We've Got)": " Make sure you have a system with some phat house speakers / So the new shit can rock, from Bronx to Massapequa ."
Frank Sinatra recorded "Witchcraft" three times in a studio setting. The first recording was in 1957, for his single release, and was later released on his compilation album All the Way (1961). Sinatra re-recorded "Witchcraft" for 1963's Sinatra's Sinatra , and finally recorded it as a duet with Anita Baker for Duets (1993).
Since the 1950s, sacred and liturgical music has been performed and recorded by many prominent jazz composers and musicians. [186] The "Abyssinian Mass" by Wynton Marsalis (Blueengine Records, 2016) is a recent example. Relatively little has been written about sacred and liturgical jazz.
The song's I-vi-ii-V7 chord progression has been used in countless jazz compositions, and is commonly known as "rhythm changes". [20] George Gershwin's last concert composition, Variations on "I Got Rhythm" was based on this song. [21] "Lazy River", [4] [22] a song by Hoagy Carmichael and Sidney Arodin, [23] was a hit for the Mills Brothers in ...
Ella Fitzgerald, Chick Webb's vocalist two years after Savoy's release, sang the song in concert in 1957 in Los Angeles to great acclaim (Verve MG V-8264). Her version of the song is in the musical form of "scat" and has been widely hailed by fans of one of the single greatest examples of that form (references needed).
It has been recorded numerous times and has become a jazz standard. [4] Gary Giddins stated that the song "set the music world on its ear" and that it was "part of the funky, back to roots movement that Horace Silver , Mingus , and Ray Charles helped, in different ways, to fan". [ 5 ]