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For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra. In classical music, composers have historically orchestrated their own music. Only gradually over the course of music history did orchestration come to be ...
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [2] [3] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
The first is a Baroque orchestra (i.e., J.S. Bach, Handel, Vivaldi), which generally had a smaller number of performers, and in which one or more chord-playing instruments, the basso continuo group (e.g., harpsichord or pipe organ and assorted bass instruments to perform the bassline), played an important role; the second is a typical classical ...
The majority of scientific literature [3] employs the term amplitude or peak amplitude to mean semi-amplitude. It is the most widely used measure of orbital wobble in astronomy and the measurement of small radial velocity semi-amplitudes of nearby stars is important in the search for exoplanets (see Doppler spectroscopy ).
These laws are true to the extent that the ear is sensitive to the frequency and amplitude of the acoustic waves, and further, is able to resolve the differences in their frequency. In modern times, the sensitivity of human hearing to the phase of tone components has been extensively investigated. [8] Controversy has led to this ...
Treatise on Instrumentation. Grand traité d’instrumentation et d’orchestration modernes, abbreviated in English as the Treatise on Instrumentation (sometimes Treatise on Orchestration) is a technical study of Western musical instruments written by Hector Berlioz.
The composer writes an arrangement for the orchestra musicians. As a result, it is less improvisational and declamatory than recitativo secco , and more song -like. This form is often employed where the orchestra can underscore a particularly dramatic text, as in " Thus saith the Lord " from Händel's Messiah ; Joseph Haydn and Wolfgang Amadeus ...
While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as ...