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A greatest hits collection taken from Badfinger's four albums on Apple, Come and Get It: The Best of Badfinger, appeared in 1995 on the EMI/Apple/Capitol label, which was the band's first release since 1973's Ass to be assigned a standard Apple catalogue number: SAPCOR 28.
Come and Get It: The Best of Apple Records is a greatest hits compilation album containing songs by artists signed to the Beatles' Apple record label between 1968 and 1973. . The first and currently only such multi-artist Apple compilation, it was released on 25 October 2
As Badfinger were completing work on their last album for Apple Records, Ass, the band's manager, Stan Polley, signed them to a three-year, six-album deal with Warner Bros. Records. As a result, shortly after the band and producer Chris Thomas completed recording of Ass , they found themselves back in the studio making a new album for Warner.
Classic Rock critic Rob Hughes rated "Day After Day" as Badfinger's greatest song, due to the "unassailable melody, plaintive vocals and lovestruck sentiment" as well as Harrison's "wonderful slide solo." [11] Ultimate Classic Rock critic Michael Gallucci rated it as Badfinger's 2nd best song, highlighting Harrison's "distinctive guitar playing."
Due to Badfinger's subsequent fame and the album's limited release, Maybe Tomorrow became an expensive collectible for many years, often earning between $200 and $400 US dollars for a single used copy. Although a 1990s re-release of the album on CD format curbed demand for the original album, the CD itself became collectible because of its ...
Paul McCartney recorded a solo demo of the song on 24 July 1969, after arriving early for a Beatles recording session for their Abbey Road album. Singing the double-tracked lead vocal and playing all the instruments, he laid down the vocals and piano on the first take, sang again and played maracas on the first overdub, then added drums, and finally put in the bass guitar track.
The power ballad [1] has been recorded by over 180 artists, [2] and versions released as singles by Harry Nilsson (1971) and Mariah Carey (1994) became international number one hits. The Nilsson version was included in 2021's Rolling Stone ' s 500 Greatest Songs of All Time. [3] Paul McCartney once described it as "the killer song of all time". [4]
Straight Up is the fourth studio album by the Welsh rock band Badfinger, released in December 1971 in the United States and February 1972 in Britain.Issued on the Beatles' Apple record label, it includes the hit singles "Day After Day" and "Baby Blue", and the similarly popular "Name of the Game", all of which were written by singer and guitarist Pete Ham.
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