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  2. Sight-reading - Wikipedia

    en.wikipedia.org/wiki/Sight-reading

    According to Frazier, score reading is an important skill for those interested in the conducting profession and "Conductors such as the late Robert Shaw and Yoel Levi have incredibly strong piano skills and can read at sight full orchestral scores at the piano" (a process which requires the pianist to make an instant piano reduction of the key ...

  3. Arthur Somervell - Wikipedia

    en.wikipedia.org/wiki/Arthur_Somervell

    Exercises in sight-reading, etc. (Curwen) School of Melody, 10 Progressive Tunes for viola and piano (1919): (Augener) Sight-reading, 6 vols (Swan) Sight-reading exercises (Augener) Charts of the rules of Harmony and Counterpoint (Clarendon press)

  4. Kodály method - Wikipedia

    en.wikipedia.org/wiki/Kodály_Method

    [7]: 2 For this purpose, Kodály composed thousands of songs and sight-singing exercises, making up sixteen educational publications, six of which contain multiple volumes of over one hundred exercises each. [4]: 69 Kodály’s complete pedagogical works are published collectively by Boosey & Hawkes as The Kodály Choral Method. [12]

  5. Lucien Thévet - Wikipedia

    en.wikipedia.org/wiki/Lucien_Thévet

    Soixante-cinq études-déchiffrages pour cor (1967) [Sixty-five sight-reading exercises for horn] Vingt études pour cor (1969) [Twenty studies for horn] Cent exercices rythmiques à 2 et 3 parties pour tous les instruments en clé de sol (en deux cahiers) (1975) [One hundred rhythmic exercises in 2 and 3 parts for all G-clef instruments – in ...

  6. Piano pedagogy - Wikipedia

    en.wikipedia.org/wiki/Piano_pedagogy

    Piano pedagogy is the study of the teaching ... or practice with a metronome to develop a steady internal beat. ... Teaching sight reading can include teaching ...

  7. Eye movement in music reading - Wikipedia

    en.wikipedia.org/wiki/Eye_movement_in_music_reading

    Another critical difference between reading music and reading language is the role of skill. Most people become reasonably efficient at language reading by adulthood, even though almost all language reading is sight reading. [3] By contrast, some musicians regard themselves as poor sight readers of music even after years of study.

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