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Seen in terms of Rembrandt's style alone, about 1639-40 seems more likely. [2] As in many of Rembrandt's actual self-portraits, the subject wears fanciful dress that suggests the 16th rather than the 17th century. The gorget was contemporary wear for a soldier, included in a number of Rembrandt's tronie self-portraits. [3]
The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly paintings), or the ...
A broad-brimmed black slouch hat covers his thick fair hair; he has a plump and beardless face. His right hand rests on his hip under the cloak; his out-stretched left hand holds a glove. In the right background is a bluish-green curtain. [Pendant to 638.] Signed on the left at foot, "Rembrandt f. 1634"; canvas, 82 inches by 52 inches.
Self-Portrait with Beret and Turned-Up Collar is a 1659 oil on canvas painting by the Dutch artist Rembrandt, one of over 40 self-portraits by Rembrandt.It has been noted as a self-portrayal of subtle and somber qualities, a work in which may be seen "the stresses and strains of a life compounded of creative triumphs and personal and financial reverses".
Naenae (/ ˈ n aɪ n aɪ /, occasionally spelled NaeNae) is a suburb of Lower Hutt, New Zealand. It lies on the eastern edge of the floodplain of the Hutt River, four kilometres from the Lower Hutt Central business district. A small tributary of the Hutt, the Waiwhetū Stream, flows through the suburb.
Woburn is a suburb of Lower Hutt, Wellington situated at the bottom of the North Island of New Zealand.. Henry Petre farmed the area in the 1840s and named the area after the Duke of Bedford's estate, Woburn Abbey.
Behind her in half-shadow, Joseph, in a brown working-dress, is shaping a yoke with his axe. From above to the left child-angels flutter down, throwing a bright light on the Virgin and the cradle. Full-length figures, almost half life-size. Signed on the left at foot, "Rembrandt f. 1645"; canvas, 46 1/2 inches by 36 inches.
A Polish Nobleman is a 1637 painting by Rembrandt depicting a man in a costume of Polish szlachta (nobility). The identity of the subject of the painting is unclear, and has given rise to several different interpretations. The view that the figure's dress is clearly Polish is not universally held and it may have been a self-portrait.
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