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A broad-brimmed black slouch hat covers his thick fair hair; he has a plump and beardless face. His right hand rests on his hip under the cloak; his out-stretched left hand holds a glove. In the right background is a bluish-green curtain. [Pendant to 638.] Signed on the left at foot, "Rembrandt f. 1634"; canvas, 82 inches by 52 inches.
The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly paintings), or the ...
A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings). van de Wetering, Ernst (Ed.). Springer. 2010. ISBN 978-1-4020-4607-0. A Corpus of Rembrandt Paintings VI: Rembrandt’s Paintings Revisited – A Complete Survey. Ernst van de Wetering. Springer. 2014. ISBN 978-9-4017-9173-1.
Self-Portrait with Beret and Turned-Up Collar is a 1659 oil on canvas painting by the Dutch artist Rembrandt, one of over 40 self-portraits by Rembrandt.It has been noted as a self-portrayal of subtle and somber qualities, a work in which may be seen "the stresses and strains of a life compounded of creative triumphs and personal and financial reverses".
Self portrait in a flat cap and embroidered dress: About 1642 B120: 1: The Spanish gypsy ‘Preciosa’ About 1642 B148: 1: Student at a table by candlelight: About 1642 B356: 2: Girl with a basket: About 1642 B157: 2: The hog: 1643 B212: 1: The Three Trees: 1643 B220: 1: The shepherd and his family: 1644 B057: 4: The rest on the flight: a ...
Seen in terms of Rembrandt's style alone, about 1639-40 seems more likely. [2] As in many of Rembrandt's actual self-portraits, the subject wears fanciful dress that suggests the 16th rather than the 17th century. The gorget was contemporary wear for a soldier, included in a number of Rembrandt's tronie self-portraits. [3]
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