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The music used for the dance is complex, having a wide variety depending on the wishes of the musicians. In some cases, the rondalla also sings while the performers dance to the music. In Waray tradition, a sarayaw or social dancing event is never complete without the kuratsa. The dance is so integral to Waray culture that it is also exhibited ...
Maranao people from the around the Lake Lanao have a royal manner of “walking” called the Pagapir. The ladies of the royal court perform this dance for important events and to show their good upbringing. It involves a graceful manipulation of the Aper (apir) or fan while doing the “Kini-kini” or small steps. [2] Sagayan: Cotabato ...
Tinikling (traditionally written tiniclín) is a traditional Philippine folk dance which originated prior to Spanish colonialism in the area. [1] The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.
Like his fellow Waray musician Joseph Uy, he has also recorded music, much of which is composed of his own versions of traditional dances in Eastern Visayas such as the kuratsa, jota, and aminudo. Unlike Joseph Uy's style which is said to be serious, Art Ramasasa employs humor in his musical style, which has led some like writer Doms Pagliawan ...
According to the book of Francisca Reyes-Aquino, Philippine Folk Dances, Volume 2, there is a different version of the cariñosa in the region of Bicol. Reyes-Aquino is a Filipino folk dancer and cultural researcher who discovered and documented Philippine traditional dances, one of which is the Cariñosa. [1]
This undated image provided by the U.S. Attorney's Office, Southern District of New York, shows Danielle R. Sassoon, interim U.S. attorney for the Southern District of New York.
Pandanggo is a Philippine folk dance which has become popular in the rural areas of the Philippines.The dance evolved from Fandango, a Spanish folk dance, which arrived in the Philippines during the Hispanic period.
From Havana Pérez Prado moved his music to Mexico, where his music and the dance were adopted. The original mambo dance was characterized by freedom and complicated foot-steps. This style was prominent in the Rumberas films. Popular dancers of the era include Ninon Sevilla, Maria Antonieta Pons, Tongolele, Meche Barba, and Resortes.