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Otis Redding covered the song for his 1965 album Otis Blue, saying he wanted to "fill the silent void" created by Cooke's death. [28] His version, retitled "Change Gonna Come," is a more restrained arrangement without any orchestration. [28]
Otis Blue was a crossover success for Redding and proved one of his best-selling LPs with more than 250,000 copies sold. It was his first to top the US R&B LPs chart and also reached number 6 on the UK Albums Chart , while three of its singles became top 40 hits: the Redding original " I've Been Loving You Too Long ", the Rolling Stones cover ...
The Best of Otis Redding (1972) The Dock of the Bay – The Definitive Collection ... "A Change Is Gonna Come" Sam Cooke: 4:19: 17. "I've Been Loving You Too Long"
The album contains "A Change Is Gonna Come", one of Cooke's best-known songs. Though only a modest hit for Cooke in comparison with his previous singles, the song came to exemplify the Civil Rights Movement during the 1960s. [6] The song has gained in popularity and critical acclaim in the decades since its release.
Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer and songwriter. He is regarded as one of the greatest singer-songwriters in the history of American popular music and a seminal artist in soul music and rhythm and blues.
The song was also recorded by Eric Burdon and The Animals, Otis Redding, Ike and Tina Turner, Rod Stewart, and The Supremes on We Remember Sam Cooke (1965). Redding's version was elected to the "500 Songs that Shaped Rock and Roll " by the Rock and Roll Hall of Fame and Museum. [4]
The Dock of the Bay is the first of a number of posthumously released Otis Redding albums, and his seventh studio album. It contains a number of singles, B-sides, and previously released album tracks dating back to 1965, including one of his best known songs, the posthumous hit "(Sittin' On) The Dock of the Bay".
The Definitive Otis Redding is a 1993 four compact disc compilation album by American soul singer-songwriter Otis Redding. The first three discs focus on studio material recorded for Stax records. The first three discs focus on studio material recorded for Stax records.
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