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The Ridgway family was one of the important dynasties manufacturing Staffordshire pottery, with a large number of family members and business names, over a period from the 1790s to the late 20th century. In their heyday in the mid-19th century there were several different potteries run by different branches of the family.
Homemaker was a pattern of mass-produced earthenware tableware that was very popular in the United Kingdom in the 1950s and 60s. [ 1 ] [ page needed ] The pattern was designed by Enid Seeney [ 2 ] [ 3 ] (2 June 1931 – 8 April 2011), [ 2 ] manufactured by Ridgway Potteries of Stoke-on-Trent between 1957 and 1970, [ 3 ] [ 1 ] [ page needed ...
Ironstone china, ironstone ware or most commonly just ironstone, is a type of vitreous pottery first made in the United Kingdom in the early 19th century. It is often classed as earthenware [ 1 ] [ 2 ] although in appearance and properties it is similar to fine stoneware . [ 3 ]
There are animal figures, with cats rather outnumbering dogs at this period. Some animals are very loosely copying the styles of equivalent animals in Chinese export porcelain . Animals are more likely to be in salt-glazed stoneware , with green, brown and blue glazes the main colours, applied in broad strokes as highlights.
Upward pattern of a fire emblem, symbolized that the emperor led its people in making positive efforts Grain of rice (粉米, fěn mǐ) Symbolize nourishment and the country's agriculture, and also symbolizes that the emperor is the mainstay for the people. Axe (黼, fǔ) The Axe stands for “cut-off”; i.e. the emperor's power to act decisively
In the 1950s, the Wade potteries created 'Whimsies', small solid porcelain animal figures first developed by Sir George Wade, which became popular and collectable in Britain and America, [1] [2] following their retail launch in 1954, [3] and were widely available in shops throughout the 1950s, 1960s, 1970s, and 1980s.
Chintzware, or chintz pottery, describes chinaware and pottery covered with a dense, all-over pattern of flowers (similar to chintz textile patterns) or, less often, other objects. It is a form of transferware where the pattern is applied by transfer printing as opposed to the more traditional method of painting by hand.
'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.