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The composition is a novel one, with the body of Jesus typically held horizontally in paintings of the Entombment, although earlier examples with Jesus held vertically that may have influenced Michelangelo include a 1438-1440 predella to the San Marco Altarpiece by Fra Angelico, and Domenico Ghirlandaio. The upright posture of Jesus may allude ...
The Agony and the Ecstasy is a 1965 American historical drama film directed by Carol Reed and starring Charlton Heston as Michelangelo and Rex Harrison as Pope Julius II.The film was partly based on Irving Stone's 1961 biographical novel of the same name, and deals with the conflicts of Michelangelo and Pope Julius II during the 1508–1512 painting of the Sistine Chapel ceiling.
The Entombment (Michelangelo) The Rondanini Pietà is a marble sculpture that Michelangelo worked on from 1552 until the last days of his life, in 1564. Several sources indicate that there were actually three versions, with this one being the last.
The exact date of execution of the statue is unknown, but it is usually related to the project for the tomb of Julius II.It is thought to have been intended for one of the lower niches of one of the last projects for the tomb, perhaps that of 1532 for which the so-called Captives or "Provinces" now in the Galleria dell'Accademia of Florence may have also been made.
Study of a Kneeling Nude Girl for The Entombment, Michelangelo, c. 1500–1501. Study of a Kneeling Nude Girl for The Entombment is a drawing of c. 1500–1501 by Michelangelo, now in the Louvre Museum. It is in black chalk, with pen and ink and white highlighting, on pink prepared (coloured) paper, and measures 26.6 cm x 15.1 cm.
"The first version of Michelangelo's Christ for S. Maria sopra Minerva". Burlington Magazine. 142 (1173): 740– 745. ISSN 0007-6287; Steinberg, Leo (2014). The Sexuality of Christ in Renaissance Art and in Modern Oblivion. University of Chicago Press. ISBN 978-0-226-22631-6. Wallace, William E. (1997). "Michelangelo's Risen Christ".
The Titan: Story of Michelangelo is a 1950 German documentary film about the painter and sculptor Michelangelo.It won the Academy Award for Best Documentary Feature. [1]The film was a re-edited version of a German/Swiss film of 1938 originally titled Michelangelo: Life of a Titan, directed by Curt Oertel.
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