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The first Art Nouveau houses appeared in Brussels in 1893, including the Hotel Tassel designed by Victor Horta.Horta designed not only the house and decor but also the furniture, which featured the same nature-inspired curling whiplash lines which were featured in the architecture, wrought iron balcony and stairway railings, ceramic floors, and door handles.
Hector Guimard (French pronunciation: [ɛktɔʁ ɡimaʁ], 10 March 1867 – 20 May 1942) was a French architect and designer, and a prominent figure of the Art Nouveau style. He achieved early fame with his design for the Castel Beranger , the first Art Nouveau apartment building in Paris, which was selected in an 1899 competition as one of the ...
Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste.
It’s all very Venetian Gothic meets Art Nouveau and Art Déco, plus crisp 1940s-inflected YSL tailoring on the spectacular leading ladies. I’m still swooning!” Which is all to say, the ...
Some models also became icons of design history: the rocking chair no. 1 from 1860, later on in the 19th century the successful models no. 18 and no. 56, around 1900 the elegant no. 209 with its curved armrests, which Le Corbusier adored, and in 1904 the art nouveau armchair 247 by Otto Wagner, the so-called postal savings bank chair, to name ...
Dufrêne found a position as a manager and furniture designer at La Maison Moderne of Julius Meier-Grafe, whose showrooms displayed rooms decorated in Art Nouveau style. [2] There he worked with designers such as Henry van de Velde, Victor Horta, Charles Plumet and Anthony Selmersheim. [1]
A notable furniture designer is Ödön Faragó who combined traditional popular architecture, oriental architecture and international Art Nouveau in a highly picturesque style. Pál Horti [ hu ] , another Hungarian designer, had a much more sober and functional style, made of oak with delicate traceries of ebony and brass.
In the metropolitan culture of France, French furniture, connoting Parisian furniture, embodies one of the mainstreams of design in the decorative arts of Europe, extending its influence from Spain to Sweden and Russia, from the late seventeenth century to the last craft traditions in workshops like Jacques-Emile Ruhlmann, which came to an end only with the Second World War.
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