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The first Art Nouveau houses appeared in Brussels in 1893, including the Hotel Tassel designed by Victor Horta.Horta designed not only the house and decor but also the furniture, which featured the same nature-inspired curling whiplash lines which were featured in the architecture, wrought iron balcony and stairway railings, ceramic floors, and door handles.
Dufrêne found a position as a manager and furniture designer at La Maison Moderne of Julius Meier-Grafe, whose showrooms displayed rooms decorated in Art Nouveau style. [2] There he worked with designers such as Henry van de Velde, Victor Horta, Charles Plumet and Anthony Selmersheim. [1]
Liberty style (Italian: stile Liberty [ˈstiːle ˈliːberti]) was the Italian variant of Art Nouveau, which flourished between about 1890 and 1914.It was also sometimes known as stile floreale ("floral style"), arte nuova ("new art"), or stile moderno ("modern style" not to be confused with the Spanish variant of Art Nouveau which is Art Nouveau in Madrid).
Our guide to Art Nouveau architecture explores the late 19th-century movement known for flowing lines and organic forms and how it influenced the culture.
Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste.
Chair designed by Arthur Mackmurdo in 1881, the back panel of which has been seen as a precursor of Art Nouveau design. Schmutzler's major work was his book Art nouveau-Jugendstil (1962) which was developed from his doctoral thesis. [ 2 ]
"Find ways to incorporate contemporary takes on Art Deco alongside artful antiques and custom designs," adds Richter. "It allows us to take the ideas of 100 years ago and bring them into today."
In 1895-6, he built a new studio and his own house on the Boulevard Lobau in Nancy, which became what is now considered (in a crude form) the first Art Nouveau edifice in the city with the help of his friend, architect Georges Biet. In return, Vallin was responsible for the furniture that adorned Biet's house at 22, rue de la Commanderie, in Nancy.
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