Search results
Results from the WOW.Com Content Network
During Ghalib's period, the words "Hindi" and Urdu" were synonyms (see Hindi–Urdu controversy). Ghalib wrote in Perso-Arabic script which is used to write modern Urdu, but often called his language "Hindi"; one of his works was titled Ode-e-Hindi (Urdu: عود هندی, lit. 'Perfume of Hindi'). [14] When Ghalib was 14 years old a newly ...
Ghalib (Arabic: غالب ghālib) is an Arabic masculine given name which generally means "to overcome, to defeat", also meaning "successor, victor".
Mirza Ghalib is considered one of the leading literary authority on Urdu poetry. [3] He lived in Delhi [4] and died in 1869. The literal meaning of shayar (shaa'ir) is poet. [5] There are more than 30 types of Urdu poetry, also known as shayari. Examples of shayari are ghazal, sher, nazm, marsiya, qita and many more. [6]
Ganga-Jamuni is a combination of two Hindi ... Tehzeeb is an Urdu term meaning ... as is now called also began in the Hindustan region, chief writers being, Ghalib ...
All famous writers of Urdu language including Ghalib and Iqbal were given British scholarships. [1] Following the Partition of India in 1947, it found major poets and scholars were divided along the nationalistic lines. However, Urdu poetry is cherished in both the nations. Both the Muslims and Hindus from across the border continue the tradition.
Rekhta (Urdu: ریختہ [ˈreːxtaː]; Hindi: रेख़्ता [ˈreːxtaː]) was an early form of the Hindustani language.This style evolved in both the Perso-Arabic and Nagari scripts and is considered an early form of Modern Standard Urdu and Modern Standard Hindi. [2]
Ghalib was a chronicler of a turbulent period. One by one, Ghalib saw the bazaars – Khas Bazaar, Urdu Bazaar, Kharam-ka Bazaar, disappear, whole mohallas (localities) and katras (lanes) vanish. The havelis (mansions) of his friends were razed. Ghalib wrote that Delhi had become a desert. Water was scarce. Delhi was now “ a military camp”.
With the development of time, the tawaif in India has gradually disappeared. In the 1980s, when kothas were no longer recognized as centres for aesthetics, and society disapproved of the tawaif's art, as they felt it was sex work in the guise of adakari (performance). It was an era when tawaifs had to dodge guns, goons and Ghalib's ghazals.