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Medea (Ancient Greek: Μήδεια, Mēdeia) is a tragedy by the ancient Greek playwright Euripides based on a myth. It was first performed in 431 BC as part of a trilogy, the other plays of which have not survived.
Medea Clytemnestra Strong-In-The-Arm Lindenshield [1] is a fictional character and the chief antagonist from Stuart Hill's fantasy trilogy of books called The Icemark Chronicles. She appears in a major role in both Blade of Fire and Last Battle of the Icemark .
Medea – The main character, a former revolutionary who was forced into exile. She is bisexual and feminine. [1] She is Luna's lover, Jasón's wife, and mother to teenage son, Chac-Mool. Her character is based on Euripides' Medea. [3] Jasón – Medea's husband, a biracial man who now lives in Aztlán, [1] where he holds an important position. [2]
In Greek mythology, Medea (/ m ɪ ˈ d iː ə /; Ancient Greek: Μήδεια, romanized: Mḗdeia; lit. ' planner, schemer ') [1] is the daughter of King Aeëtes of Colchis.In the myth of Jason and the Argonauts, she aids Jason in his search for the Golden Fleece.
The leading role, Medea, delivers over half of the play's lines. [2] Medea addresses many themes, one being that the title character represents "payment" for humans' transgression of natural laws. [3] She was sent by the gods to punish Jason for his sins. Another theme is her powerful voice that cannot be silenced, not even by King Creon. [3]
Medea figures in the myth of Jason and the Argonauts, appearing in Hesiod's Theogony around 700 BC, but best known from Euripides's tragedy Medea and Apollonius of Rhodes' epic Argonautica. Medea is known in most stories as a sorceress and is often depicted as a priestess of the goddess Hecate.
In Greek mythology, Mermerus (Ancient Greek: Μέρμερος, Mérmeros) and Pheres (Ancient Greek: Φέρης, Phéres) were the sons of Jason and Medea. They were killed either by the Corinthians [1] or by Medea, [2] for reasons that vary depending on the rendition. In one account, Mermerus was killed by a lioness while hunting. [3]
Medea truly is the narrator of her own story and in her own narration the reader is given a look at the rationale behind the actions of Medea throughout her other dramatic appearances. [18] In the Metamorphoses Ovid continually stresses Medea's use of incantation and magic and her ability to create and destroy. In this vein it seems as though ...