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"Concerning Hobbits" is a piece by composer Howard Shore derived from The Lord of the Rings: The Fellowship of the Ring soundtrack.It is a concert suite of the music of the Hobbits, arranged from the music heard in the film during the early Shire scenes, and features the various themes and leitmotifs composed for the Shire and Hobbits; it is intended to evoke feelings of peace. [1]
In 2010, the set was rebuilt in a more permanent fashion for The Hobbit: An Unexpected Journey, [6] [9] filming for which began in 2011. [10] Ian McKellen reprised his role as Gandalf the Grey and was joined on the Hobbiton location by Martin Freeman, who remarked that the site "just looked like a place where people lived and where people ...
The title song and several others were set to music by Donald Swann as part of the book and recording The Road Goes Ever On, named for this song. [T 5] The entire song cycle has been set to music in 1984 by the composer Johan de Meij; another setting of the cycle is by the American composer Craig Russell, in 1995. [4]
The music of The Hobbit film series is composed, orchestrated, and produced by Howard Shore, who scored all three The Lord of the Rings films, to which The Hobbit film trilogy is a prequel series. It continues the style of The Lord of the Rings score, using a vast ensemble, multiple musical forms and styles, many leitmotifs, and unusual ...
This segment survives as a "music video" and shows Nimoy (wearing his Star Trek hairstyle as the series was in the midst of production of its second season at the time) and a group of color-coordinated young women, all wearing plastic pointed ears (presumably like Vulcans as Hobbits only had slightly pointed ears in Tolkien's writing), singing ...
An original song created for the film, titled "The Rider", was announced in October 2024. [8] Performed by Paris Paloma, the song was written by Gittins and composer David Long, who also provided additional music for Jackson's films. [9] [10] "The Rider" was released digitally by WaterTower Music on November 15 alongside an official music video.
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The song was a reaction to the varying difficult issues facing America in the late 1970s – the fallout from the Watergate scandal, the simultaneous double-digit inflation, unemployment, and prime interest rates (leading to the misery index), and the 1979–1981 Iran Hostage Crisis.