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Many of Audiomachine's tracks have been featured in theatrical movie trailers, including those of Avatar, The Chronicles of Narnia films, Iron Man, Venom, Avengers: Endgame, Dune, and others. Originally, Audiomachine released albums only for the film industry's professional use, but since 2012 it has released selected albums and compilations ...
In America is a 2002 drama film directed by Jim Sheridan. The semi-autobiographical screenplay by Jim Sheridan and his daughters, Naomi and Kirsten , focuses on an immigrant Irish family's struggle to start a new life in New York City, as seen through the eyes of the elder daughter.
Hornets; mini cup, sprints, legends, focus midgets, figure 8, trains, trailer races, demolition derby, monster trucks, stock cars, modifieds, truck, pro 4's, super modifieds also connected is Drag Racing 1/4 mile and a MX Race track Shenandoah Speedway: Virginia Shenandoah: 0.375 miles (0.604 km) Oval (asphalt)
Breakfast in America" is the title track from English rock band Supertramp's 1979 album of the same name. Credited to Rick Davies and Roger Hodgson , it was a top-ten hit in the UK [ 3 ] and a live version of the song reached No. 62 on the Billboard Hot 100 in January 1981.
The song was a reaction to the varying difficult issues facing America in the late 1970s – the fallout from the Watergate scandal, the simultaneous double-digit inflation, unemployment, and prime interest rates (leading to the misery index), and the 1979–1981 Iran Hostage Crisis.
The soundtrack was released by Back Lot Music on March 15, 2019, [1] featuring Abels' original score, and three tracks heard in the film—"I Like That" by Janelle Monáe, "I Got 5 on It" by Luniz and "Les Fleurs" by Minnie Riperton. [2] The remixed version of "I Got 5 on It" preceded the album.
On Oct. 3, 1995, at 1 p.m. ET, America stopped in its tracks. ... a Hall of Fame running back-turned-charismatic television personality, movie actor and double murder defendant. ...
For the setting of the late 1970s and early 1980s, music emerged in the creative process that brought back Russell to that time period, [7] though the songs he chose did not emerge from that time. In a mob sequence, Russell recalled that Renner had an idea to use Tom Jones ' " Delilah " which was "just the perfect song to soundtrack those old ...