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"Tell Me (You're Coming Back)" is a song by the English rock band the Rolling Stones, featured on their 1964 self-titled album (subtitled and often called England's Newest Hit Makers in the US). It became the first A-side single written by Jagger/Richards to be released, although not in the United Kingdom. The single reached number 24 in the ...
The Rolling Stones (EP) (UK) December's Children (And Everybody's) (US) Arthur Alexander: Jagger "You Can't Always Get What You Want" 1968 1969 Let It Bleed: Jagger/Richards Jagger "You Can't Catch Me" 1964 1965 The Rolling Stones No. 2 (UK) The Rolling Stones, Now! (US) Chuck Berry Jagger "You Can Make It If You Try" 1964 1964 The Rolling ...
Although "The Last Time" is credited to Jagger/Richards, the song's chorus is identical, in melody and lyrics, to "This May Be the Last Time", a gospel song recorded in 1954 by the Staple Singers which itself was an arrangement of the first part of a sermon recorded by Reverend J. M. Gates in 1926 titled "You May Be Alive, You May Be Dead, Christmas Day".
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"Till the Next Goodbye" is a song by the English rock band the Rolling Stones, featured on its 1974 album It's Only Rock 'n Roll. [1] [2]Credited to Mick Jagger and Keith Richards recording on "Till the Next Goodbye" began at Munich's Musicland Studios in November 1973.
The Rolling Stones is the debut studio album by the English rock band the Rolling Stones, released by Decca Records in the UK on 17 April 1964. [2] The American edition of the LP, with a slightly different track list, came out on London Records on 29 May 1964, subtitled England's Newest Hit Makers, which later became its official title.
It has become an iconic song of its type and was immensely popular with United States Armed Forces G.I.s during the Vietnam War. [2] In 2004 it was ranked number 233 on Rolling Stone's "The 500 Greatest Songs of All Time" list; it is also in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list.
The Rolling Stones regularly perform the song in concert, although in a different key from the studio recording: on their concert albums Love You Live (1977) and Live Licks (2004), the song is in B, whereas the studio track is in E. According to Richards, the song was recorded in the wrong key, but they did not realise this until they played it ...