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UREI collaborated with Edward M. Long of E.M. Long Associates in Oakland, California to create the 813 family of time-aligned large-format studio monitor speakers, introduced in 1977. [6] The 813 and subsequent models introduced in 1979, including the 813A, 815A, and 811A, used Altec Lansing and Eminence drivers.
Harman Kardon designed and produced some of the first high fidelity audio products in the 1950s. The company's first product was an FM tuner.. Early integrated receivers (with a tuner, preamplifier and power amplifier) were an attempt to create, improve and produce high fidelity performance in a single unit.
From about 1900 to the 1950s, the "lowest frequency in practical use" in recordings, broadcasting and music playback was 100 Hz. [9] When sound was developed for motion pictures, the basic RCA sound system was a single 8-inch (20 cm) speaker mounted in straight horn, an approach which was deemed unsatisfactory by Hollywood decisionmakers, who hired Western Electric engineers to develop a ...
First production from late 1959, model 5G13 with prototype metal knobs and JBL D130 speaker. The Fender Vibrasonic was an amplifier made by Fender.It was debuted as the first of the new-model Fender amps of the 1960s, with new tolex-covered cabinets and front-mounted control panels that would replace the tweed-covered, top-panel cabinets that were prevalent during the 1950s, as well as new ...
Acoustic Research was a Cambridge, Massachusetts-based company that manufactured high-end audio equipment. The brand is now owned by VOXX.Acoustic Research was known for the AR-3 series of speaker systems, which used the 12 in (300 mm) acoustic suspension woofer of the AR-1 with newly designed dome mid-range speaker and high-frequency drivers.
A JBL floor monitor speaker cabinet with a 12" (30 cm) woofer and a "bullet" tweeter. Most monitor cabinets have a metal grille or woven plastic mesh to protect the loudspeaker. Monitor loudspeakers , also called foldback loudspeakers, are speaker cabinets used onstage to help performers to hear their singing or playing.
The Super Six Reverb is essentially a master volume Twin Reverb or Dual Showman Reverb equipped with six Oxford 10L6 (or CTS 10" AlNiCo) speakers featuring 10"/5.2 ohms (8 ohms each in series-parallel) and 100 watts RMS (changed to 135W in 1977). Introduced in 1972, this silverface combo amplifier was discontinued in 1979.
The Vibrosonic Reverb was a guitar amplifier made by Fender.This silverfaced guitar combo was basically a master volume Twin Reverb equipped with a JBL D-130-F 15" speaker. It was available with 100 watts RMS of power with a 1960s "tailed" Fender logo before its change to a 135 watts RMS combo featuring a "tailless" Fender decal in 1977.
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