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A descarga (literally discharge in Spanish) is an improvised jam session consisting of variations on Cuban music themes, primarily son montuno, but also guajira, bolero, guaracha and rumba. [1] The genre is strongly influenced by jazz and it was developed in Havana during the 1950s.
The bolero-son: long-time favourite dance music in Cuba, captured abroad under the misnomer 'rumba'. The bolero-mambo in which slow and beautiful lyrics were added to the sophisticated big-band arrangements of the mambo. The bolero-cha, 1950s derivative with a chachachá rhythm. The bachata, a Dominican derivative developed in the 1960s.
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That is why Ravel's Bolero is the one piece of classical music that is commonly known and liked by them." [ 28 ] In a 2011 article for The Cambridge Quarterly , Michael Lanford wrote, "throughout his life, Maurice Ravel was captivated by the act of creation outlined in Edgar Allan Poe 's Philosophy of Composition ."
Songs for the spirits: Music and mediums in modern Vietnam. Chicago: University of Illinois Press. Norton, B. (2013). Vietnamese popular song in '1968': War, protest and sentimentalism. In Music and protest in 1968. Cambridge: Cambridge University Press. Pham, N. (16 June 2010). Risking life for pop music in wartime Vietnam. BBC News.
The Son cubano itself was born from a synthesis of different popular styles such as the Rumba Urbana and Rumba Rural, and performed until the 1930s by amateur musicians. [ 7 ] Another Cuban folk music style emerged between the end of the 19th century and the beginning of the 20th in the poor neighborhoods of Havana .
Nhạc đỏ or literally Red Music is the common name of the revolutionary music (nhạc cách mạng) genre in Vietnam. [1] Red Music was formed during the communist Việt Minh and the First Indochina War and later strongly promoted across communist North Vietnam during the Vietnam War, to urge Northerners to achieve reunification under the Workers' Party of North Vietnam and fight against ...
Beginning in the late 1960s, band conga players began incorporating elements from folkloric rhythms, especially rumba. Changuito and Raúl "el Yulo" Cárdenas of Los Van Van pioneered this approach of the songo era. This relationship between the drums is derived from the style known as rumba. The feeling of the high drum part is like the quinto ...
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