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Training does not end when ballet dancers are hired by a professional company. Even professional ballet dancers take daily ballet class to keep their technique in check and to warm up and prepare for a day of rehearsals. Ballet is a strict form of art, [3] and the dancer must be very athletic and flexible. [4]
The Royal Academy of Dance method is a ballet technique and training system that was founded by a diverse group of ballet dancers. They merged their respective dance methods (Italian, French, Danish and Russian) to create a new style of ballet that is unique to the organization and is recognized internationally as the English style of ballet. [10]
A Dictionary of Ballet Terms (3rd revised ed.). New York: Da Capo Press. ISBN 0-306-80094-2. OCLC 4515340. Minden, Eliza Gaynor (2005). The Ballet Companion: A Dancer's Guide to the Technique, Traditions, and Joys of Ballet. New York: Simon and Schuster. ISBN 0-7432-6407-X. OCLC 58831597. Glossary of Dance Terms. New York: New York City Ballet ...
In ballet, a répétiteur teaches the steps and interpretation of the roles to some or all of the company performing a dance. [1] [3] Several late 20th-century choreographers, such as George Balanchine, Jerome Robbins, Gerald Arpino and Twyla Tharp, have established trusts and appointed conservators—hand-picked dancers who have intimate knowledge of particular ballets—as répétiteurs of ...
It is also used as a description of the place of a particular dancer within a company. "Prima ballerina literally translates to “first principal dancer” from Italian and, in the United States, is better known as someone who is a female principal dancer. These dancers are the best in their companies who perform the lead roles in ballets ...
It is a coveted position in the company and the most prominent position a dancer can receive. The term is used mostly in ballet but can be used in other forms as well, such as modern dance. They are usually the star of the ballet. The term senior principal dancer is sometimes used as well. [1]
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Arabesque position with working leg à la hauteur, forming a 90° angle with supporting leg Arabesque penchée. Arabesque (French:; literally, "in Arabic fashion") in dance, particularly ballet, is a body position in which a dancer stands on one leg–the supporting leg–with the other leg–the working leg–turned out and extended behind the body, with both legs held straight.