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Antiqua ( / ænˈtiːkwə /) [ 1] is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. [ 2] Letters are designed to flow, and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur -style typefaces where the individual strokes are broken ...
Humanist minuscule is a handwriting or style of script that was invented in secular circles in Italy, at the beginning of the fifteenth century. [ 1] ". Few periods in Western history have produced writing of such great beauty", observes the art historian Millard Meiss. [ 2] The new hand was based on Carolingian minuscule, which Renaissance ...
A modern sans-serif and four blackletter typefaces (left to right): Textur (a), Rotunda, Schwabacher and Fraktur. Fraktur ( German: [fʁakˈtuːɐ̯] ⓘ) is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand. It is designed such that the beginnings and ends of the individual strokes that ...
While woodblock printing and movable type had precedents in East Asia, typography in the Western world developed after the invention of the printing press by Johannes Gutenberg in the mid-15th century. The initial spread of printing throughout Germany and Italy led to the enduring legacy and continued use of blackletter, roman, and italic types .
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Schwabacher was a blackletter form that was much used in early German print typefaces. It continued to be used occasionally until the 20th century. Characteristics of Schwabacher are: The small letter o is rounded on both sides, though at the top and at the bottom, the two strokes join in an angle. Other small letters have analogous forms.
The Antiqua–Fraktur dispute was a typographical dispute in 19th- and early 20th-century Germany. In most European countries, blackletter typefaces like the German Fraktur were displaced with the creation of the Antiqua typefaces in the 15th and 16th centuries. However, in Germany and Austria, the two styles of printing coexisted until the ...
In the book, there are four typefaces used by the four narrators. These are: Times New Roman (Zampanò), Courier (Johnny), Bookman (The Editors), and Dante (Johnny's mother). [10] (Additional font changes are used intermittently—Janson for film intertitles, Book Antiqua for a letter written by Navidson, and so on.)