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The band was formed as a result of Lyle and McEwan meeting during a co-writing workshop in 2012 in North Hollywood, CA. [2] [3] Inspired in part by the score for Drive, and the retro synth genre growing around its release, [3] the pair wrote two singles, "WeMoveForward" and "Gloria", that would be released two years later in 2014 as part of their debut EP titled Days of Thunder.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
In its form as a single-movement character piece usually written for solo piano, the nocturne was cultivated primarily in the 19th century. The first nocturnes to be written under the specific title were by the Irish composer John Field , [ 3 ] generally viewed as the father of the Romantic nocturne that characteristically features a cantabile ...
Simplest form of metric modulation, unmarked (= ), in a piece by J.S. Bach. Slow introduction followed by an allegro traditionally taken at double the speed.Sixteenth notes in the old tempo prepare for eighth notes in the new tempo. [1]
The direct imitations of natural sounds, mostly of nocturnal animals. Also the term nature music is sometimes used. Milan Kundera, in commenting on Bartók's expansion of art music with natural sounds, writes "sounds of nature inspire Bartók to melodic motives of a rare strangeness". [5] Evocations of the mood of night and spaciousness.
Huneker states that the piece "really contains but one subject, and is a song of the sweet summer of two souls, for there is obviously meaning in the duality of voices." [ 7 ] The piece contains a harmony of broken chords which is played with the left hand, a habit Chopin had when composing his nocturnes, [ 8 ] while the right hand plays the ...