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Messe de Nostre Dame (Mass of Our Lady) is a polyphonic mass composed before 1365 by French poet and composer Guillaume de Machaut (c. 1300–1377). Widely regarded as one of the masterpieces of medieval music and of all religious music, it is historically notable as the earliest complete setting of the Ordinary of the Mass attributable to a ...
The earliest musical settings of the mass are Gregorian chant.The different unchanging portions of the mass, collectively known as the Ordinary, came into the liturgy at different times, with the Kyrie probably being first (perhaps as early as the 7th century) and the Credo being last (it did not become part of the Roman mass until 1014).
Mass song (Russian: массовая песня Massovaya pesnya) was a genre of Soviet music that was widespread in the Soviet Union. A mass song was written by a professional or amateur composer for individual or chorus singing and intended for "broad masses" of Soviet people.
Missa Papae Marcelli does not (as far as is known) make use of any pre-existing theme. The motif of a rising perfect fourth and stepwise return (illustrated) is used extensively throughout this mass. [3] It is similar in profile to the opening of the French secular song "L'homme armé", which provided the theme for many Renaissance masses. But ...
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
Jeanne and Gideon are the parents of Blaze Bernstein. On Jan. 2, 2018, then-19-year-old Blaze left his house. Sometime later that night, he was murdered in Borrego Park, stabbed 28 times; his body ...
The Messa da Requiem is a musical setting of the Catholic funeral mass for four soloists, double choir and orchestra by Giuseppe Verdi.It was composed in memory of Alessandro Manzoni, whom Verdi admired, and therefore also referred to as the Manzoni Requiem.
Westron Wynde is an early 16th-century song whose tune was used as the basis (cantus firmus) of Masses by English composers John Taverner, Christopher Tye and John Sheppard. The tune first appears with words in a partbook of around 1530, catalogued by the British Library as Royal Appendix MS 58. [ 1 ]