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The second chapter examines the primary elements of singing, instrument and dance and categorizes the musical instruments. Third chapter describes in detail the Tat-Vadya or string instruments from Analambi , Alapini , Ektantri Veena [ 3 ] to Kand, Kinnari , Ghoshvati , Rudra , Saraswati and Vichitra Veena .
A medieval instrument, labeled nagaveena (snake veena), is a type of musical scraper. Chigggjha – fire tong with brass jingles; Chengila – metal disc; Eltathalam; Gegvrer – brass vessel; Ghaynti – Northern Indian bell; Ghatam and Matkam (Earthenware pot drum) Ghunyugroo; Khartal or Chiplya; Manjira or jhanj or taal; Nut – clay pot ...
The earliest mention of the jal tarang is found in Vatsyayana's Kamasutra, as playing on musical glasses filled with water. [1] Jal tarang was also mentioned in the medieval Sangeet Parijaat text, which categorized the instrument under Ghan-Vadya (idiophonic instruments in which sound is produced by striking a surface, also called concussion idiophones.)
The nadaswaram [note 1] is a double reed wind instrument from South India. [1] It is used as a traditional classical instrument in Tamil Nadu, Andhra Pradesh, Telangana, Karnataka and Kerala [2] and in the northern and eastern parts of Sri Lanka. This instrument is "among the world's loudest non-brass acoustic instruments". [3]
Iktara - a stringed instrument with one string, made from a piece of bamboo with a gourd at one end. Associated with the Jogis. The iktara's two-stringed relative is the dotara. Sarangi - a bow instrument, used both in Haryana's folk and classical music; Shankh - a sacred wind instrument, associated with Vishnu; Shehnai - wind instrument
The mridangam is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to ...
Another modification of the instrument is that by musicologist Vidyadhar Oke, who developed a 22-microtone harmonium, which can play 22 microtones as required in Indian classical music. The fundamental tone ( Shadja ) and the fifth ( Pancham ) are fixed, but the other ten notes have two microtones each, one higher and one lower.
The Satasai (Satsai) or Bihari Satsai (Seven Hundred Verses of Bihari) is a famous work of the early 17th century by the Hindi poet Bihārī, in the Braj Bhasha dialect of Hindi spoken in the Braj region of northern India. [1] It contains Dohas, or couplets, on Bhakti (devotion), Neeti (Moral policies) and Shringara (love). [citation needed]