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Tajik folk music is traditionally divided into three styles, Pamir (Mountain-Badakhshan province), Central Kuhistoni (Hisor, Kulob, Gharm provinces) and Sogdiana's northern style; the latter is part of the same musical culture as the adjacent regions of Uzbekistan (Kashkadarya Province and Surkhandarya Province).
Traditional Tajik music is closely related to other Central Asian music forms. Shashmaqam is the predominant style of Tajik folk music , though falak is popular in southern Tajikistan. The Pamiris of the Gorno-Badakhshan Autonomous Province have their own distinct style of music as well.
Uzbekistan began to learn about the Tajik shashmaqam, and Tajikistan learnt of the Uzbek shashmaqom. This has survived to the present, but a surge of nationalism in Uzbekistan may change that: singers on the radio in Bukhara, a city perfectly bilingual in Uzbek and Tajik, are using only the Uzbek texts in their shashmaqom music broadcasts. [1]
This category is about the music of the ethnic Tajik people. For the music of Tajikistan, see Category:Music of Tajikistan. Subcategories.
This category is about the music of Tajikistan. For the music of the ethnic Tajik people, see Category:Tajik music. Subcategories.
This category is for topics related to the culture of the ethnic Tajik people. For topics related to the culture of Tajikistan, ... Tajik music (2 C, 2 P) P.
The museum was founded in 1990 by Gurminj Zavkibekov (1929–2003), Tajik actor and musician, who was honored as a National Artist of Tajikistan and a laureate of the most prestigious national prize in arts for significant contributions to the cultural heritage of Tajikistan - the Rudaki State Prize.
After The Second World War, in 1946, a group of Tajik melodists entered Moscow Conservatory, but only one of them managed to graduate from that School of Music. He was Ziyodullo Shahidi (1914–1985). Merging maqam with symphony, he formalised modern Tajik music and became known as an outstanding figure of this form of synthesis.