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Most of the company’s early wares carried one of the various “Nippon” back stamps to indicate its country of origin when exported to Western markets. [5] Today, many collectors agree that the best examples of “Nippon-era” (1891–1921) hand painted porcelain carry a back stamp used by "Noritake" during the Nippon era. [citation needed]
Colleen Moore wearing a hat with a hatpin, 1920 Hatpins. A hatpin is a decorative and functional pin for holding a hat to the head, usually by the hair. In Western culture, hatpins are almost solely used by women and are often worn in a pair. They are typically around 6–8 inches (15–20 cm) in length, with the pinhead being the most ...
This is a list of list of Royal Doulton figurines in ascending order by HN number. HN is named after Harry Nixon (1886–1955), head of the Royal Doulton painting department who joined Doulton in 1900. [ 1 ]
Any netsuke that has moving parts or hidden surprises. Katabori-netsuke (形彫根付, or "sculpture netsuke ") This is the most common type of netsuke. They are compact three-dimensional figures carved in a round shape and are usually around one to three inches high. Manjū-netsuke (饅頭根付)
Figures with movable parts, allowing limbs to be posed, are more likely to be called dolls, mannequins, or action figures; or robots or automata, if they can move on their own. Figurines and miniatures are sometimes used in board games, such as chess, and tabletop role playing games. The main difference between a figurine and a statue is size ...
Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
Capodimonte is most famous for its moulded figurines. [1] The porcelain of Capodimonte, and later Naples, was a "superb" translucent soft-paste, "more beautiful" but much harder to fire than the German hard-pastes, [2] or "a particularly clear, warm, white, covered with a mildly lustrous glaze". [3]
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
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