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Riddims are the instrumental background (the rhythm section) of reggae, lovers rock, dub, ragga, dancehall, soca, bouyon, sega and also reggaeton, which itself is largely based on the Dem Bow and Fish Market riddims by Steely & Clevie from the early 1990s. In other musical contexts, a riddim would be called a groove or beat.
The popularity of Deejays as an essential component of the sound system, and created a need for instrumental songs, as well as instrumental versions of popular vocal songs. Toasting is a type of lyrical chanting over the beat. While Dancehall music involves deejays, they are the ones chanting or humming over the rhythm or track.
The first reggae fusion-influenced riddim was produced in 2005 by Cordell "Skatta" Burrell, which featured deejays on a techno-based instrumental. [20] [21] Reggae fusion is now a regular staple on Jamaican radio stations, especially Zip 103 FM, in the form of singles, mixes and remixes. This has led to more reggae fusion hits being produced as ...
Toasting developed in Jamaica, before it took up that name and being part of the sound system era, a similar sound of it is found in mento and now can be heard over musical styles including ska, reggae, dancehall, dub, grime, hip hop, soca and bouyon music.
Almost all reggae singles still carry an instrumental version on the B-side and these are still used by the sound systems as a blank canvas for live singers and DJs. In 1986, the Japanese band Mute Beat would create dub music using live instruments such as trumpets rather than studio equipment, and became a precursor to club music.
Reggae fusion is a mixture of reggae or dancehall with elements of other genres, such as hip hop, R&B, jazz, rock, drum and bass, punk or polka. [12] Although artists have been mixing reggae with other genres from as early as the early 1970s, it was not until the late 1990s when the term was coined.
"Bam Bam" is a 1982 song by Jamaican dancehall recording artist Sister Nancy. The song's chorus was inspired by the 1966 song of the same name, by The Maytals and Byron Lee and the Dragonaires. [1] The song's instrumental samples the 1974 song "Stalag 17", by Ansell Collins, a well known riddim, alternatively known as a backing track used ...
In 2008 NJC and Innerheart signed an album of reworked instrumentals to German publishing giant Sonoton. [3] During 2006 Mulrain wrote and produced the debut album Natural Vibes for British reggae artist Darien Prophecy. [4] In 2007 Mulrain and Clarkson founded Ambiel Music as a record label for their own productions.
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