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The conservation and restoration of outdoor bronze artworks is an activity dedicated to the preservation, protection, and maintenance of bronze objects and artworks that are on view outside. When applied to cultural heritage this activity is generally undertaken by a conservator-restorer .
A brief overview of conservation treatments by material is outlined below, and more thorough discussions are available on the individual conservation pages. Bronze sculptures: For many bronze sculptures and other metal sculptures, treatment includes a reduction buildup from previous protective coatings, removal of corrosion and incrustation, or ...
Derveni krater, bronze, 350 BC, height: 90.5 cm (35 1 ⁄ 2 in.), Inv. B1, Archaeological Museum of Thessaloniki, after cleaning and conservation. Conservation and restoration of metals is the activity devoted to the protection and preservation of historical (religious, artistic, technical and ethnographic) and archaeological objects made partly or entirely of metal.
Purvis Young mural conservation reveal. When: May 13, 11:30 a.m. to 1 p.m. Where: Bakehouse Art Complex, 561 NW 32 Street, Miami. Info: Free and open to the public. Free street parking is ...
Conservation skills are now being taught at institutions such as the master's degree program in art conservation [4] at Winterthur and the University of Delaware, located in Newark, Delaware. This is an intensive three-year program, with facilities including conservation studios, laboratories, examination rooms and workshops available to ...
Residents may have seen all 66 bronze statues downtown, but now, thanks to the Rocky Mountain Bronze Shop in Cheyenne, the public can check out miniature versions of some of their favorite Wyoming ...
The object was uncovered in archaeological excavations taking place as part of work to create 150 hectares (370 acres) of diverse wetlands for the Moors at Arne project to compensate for habitat ...
In 1972 Heinz Herzer and Volker Kinnius, the Munich gallery owner, wrote a report on the conservation project of Rudolph Stapp. [12] Stapp, known for his specialty in ancient bronzes, was the main conservationist working on the Victorious Youth. Past efforts to remove encrustation from the Bronze left scratches in the metal