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Incipit for "La campanella" by Franz Liszt (Grandes études de Paganini S. 141 no. 3) The étude is played at a gentle, brisk allegretto tempo and features constant octave hand jumps between intervals larger than one octave, sometimes even stretching for two whole octaves within the time of a sixteenth note. As a whole, the étude can be ...
Étude No. 3 in G ♯ minor "La Campanella", marked Allegretto, which is after the final movement of Paganini's Violin Concerto No. 2 in B minor. Étude No. 4 in E major "Arpeggio", marked Andante quasi allegretto, which is after Caprice No. 1 in E major. It was written on one line only, omitting the usual separate line for the left hand, this ...
Unfortunately I can't read Polish and until there is clarity here, with an explanation why the use of the piano is notable, then I have to oppose. Major Bloodnok 19:09, 26 February 2011 (UTC) Info - this piano is last one made by pl:Józef Jan Budynowicz which was reconstructed and is able to play (remaining ones are broken beyond repair).
Mario Castelnuovo-Tedesco – Capriccio Diabolico for classical guitar is a homage to Paganini, and quotes "La campanella" Frédéric Chopin – Souvenir de Paganini for solo piano (1829; published posthumously) Ivry Gitlis – Cadenza for the 1st movement of Paganini's Violin Concerto No. 2 Op. 7 "La Campanella" (1967)
Etude No. 3 "La Campanella" (in G-sharp minor) after Paganini (S.141, no. 3) for piano 1915 pub, ded [17] BV B 69 Liszt: Valse oubliée No. 1 for piano (transcr. for cello and piano) 1915 pub: B&H, 1917 BV B 70 Liszt: Etude No. 2 (in E-flat major) after Paganini (S.141, no. 2) for piano 22 Sep 1916 pub [18] BV B 71 Liszt
The Violin Concerto No. 2 in B minor, Op. 7, was composed by Niccolò Paganini in Italy in 1826. [1] The third movement owes its nickname "La Campanella" or "La Clochette" to the little bell which Paganini uses to presage each recurrence of the rondo theme.
Campanella (plural campanelle) is Italian for 'little bell', and may refer to: Campanella (surname) Campanella, a genus in family Marasmiaceae; The third movement of Violin Concerto No. 2 by Paganini; La Campanella, a piano étude by Franz Liszt; A song by Kenshi Yonezu from Stray Sheep
The Transcendental Études (French: Études d'exécution transcendante), S.139, are a set of twelve compositions for piano by Franz Liszt.They were published in 1852 as a revision of an 1837 set (which had not borne the title "d'exécution transcendante"), which in turn were – for the most part – an elaboration of a set of studies written in 1826.
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