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An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle).
A metaphorical extension is the "extension of meaning in a new direction" through the popular adoption of an original metaphorical comparison. [1]The metaphorical extension is almost a universal and natural process in any language undergone by every word.
The metaphor category contains these specialized types: Allegory: An extended metaphor wherein a story illustrates an important attribute of the subject. Antithesis: A rhetorical contrast of ideas by means of parallel arrangements of words, clauses, or sentences. [17]
An extended metaphor is a metaphor that is continued over multiple sentences. [19] [20] Example: "The sky steps out of her daywear/Slips into her shot-silk evening dress./An entourage of bats whirr and swing at her hem, ...She's tried on every item in her wardrobe." Dilys Rose [21] Onomatopoeia is a word designed to be an imitation of a sound. [22]
A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g., "Her eyes were glistening jewels".
Extended metaphor (aka sustained metaphor): the exploitation of a single metaphor or analogy at length through multiple linked tenors and vehicles throughout a poem. [5] Allegory: an extended metaphor in which the characters, places, and objects in a narrative carry figurative meaning. Often, the meaning of an allegory is religious, moral, or ...
"O Captain! My Captain!" is an extended metaphor poem written by Walt Whitman in 1865 about the death of U.S. president Abraham Lincoln. Well received upon publication, the poem was Whitman's first to be anthologized and the most popular during his lifetime.
The poetry depends on extended, elaborate metaphors and conceits, and the language is often rhetorical—written for actors to declaim rather than speak. For example, the grand speeches in Titus Andronicus , in the view of some critics, often hold up the action, while the verse in The Two Gentlemen of Verona has been described as stilted.
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