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"Hold Me Closer" is a song by Swedish singer and songwriter Cornelia Jakobs, released as a single on 26 February 2022. It represented Sweden at the Eurovision Song Contest 2022 in Turin, Italy, after winning the Melodifestivalen 2022 final with 146 points. At Eurovision, Jakobs performed 17th of the 18 acts in the second semi-final, where she ...
The United Methodist Church published it in its 2000 hymnal supplement, The Faith We Sing (hymn no. 2212), giving credit for the lyrics as well as the tune to Robert Lowry. [12] The Faith We Sing version changes some of the lyrics and punctuation from the 1868 version. The Unitarian Universalist hymnal, printed in 1993 and following, credits ...
"Hold Me Close" is a love song written by Essex and produced by Jeff Wayne. [2] It was Essex's second and final UK chart-topper. The B-side was titled "Good Ol' Rock and Roll" (live version). [2] The song appears on the album All the Fun of the Fair, and is featured in the musical of that name.
"Closer" is a song performed by American contemporary worship collective Maverick City Music featuring Brandon Lake. It was released as the closing track on their second live album, Maverick City, Vol. 3 Pt. 2 , on October 9, 2020. [ 1 ]
"Hold Me Closer" is a song recorded by English singer Elton John and American singer Britney Spears. It was released as a single on 26 August 2022, through EMI . The song combines elements from John's songs " Tiny Dancer " (1971), " The One " (1992), and " Don't Go Breaking My Heart " (1976).
"Just a Closer Walk with Thee" is a traditional gospel song and jazz standard that has been performed and recorded by many artists. Performed as either an instrumental or vocal, "A Closer Walk" is perhaps the most frequently played number in the hymn and dirge section of traditional New Orleans jazz funerals .
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The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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