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The IPT color appearance model excels at providing a formulation for hue where a constant hue value equals a constant perceived hue independent of the values of lightness and chroma (which is the general ideal for any color appearance model, but hard to achieve). It is therefore well-suited for gamut mapping implementations.
A Color appearance model for color management systems. Publication 159. Vienna: CIE Central Bureau. ISBN 3-901906-29-0. Archived from the original on 2011-04-13}: CS1 maint: numeric names: authors list ; Fairchild, Mark D. (2004-11-09). "Color Appearance Models: CIECAM02 and Beyond" (PDF). IS&T/SID 12th Color Imaging Conference.
The preceder to IC T C P, Ebner & Fairchild IPT color appearance model (1998), has a mostly similar transformation pipeline of input → LMS → nonlinearity → IPT. [3] [9] The differences are that it defines its input to the more general CIEXYZ tristimulus color space and as a result has a more conventional Hunt-Pointer-Estevez (for D65) matrix for LMS.
The original CIECAM97s color appearance model uses the Bradford transformation matrix (M BFD) (as does the LLAB color appearance model). [3] This is a “spectrally sharpened” transformation matrix (i.e. the L and M cone response curves are narrower and more distinct from each other).
iCAM, short for image color appearance model, is developed by Mark D. Fairchild and Garrett M. Johnson and initially published in 2002 at the IS&T/SID 10th Color Imaging Conference in Scottsdale, Arizona. [1] As of May 2019, the latest version appears to be iCAM06, a 2006 revision that expanded tone mapping capacities for HDR. [2]
A range of increasingly complex color appearance models appeared to model the behavior of human vision under different viewing conditions, but ended up less used due to the added inputs required and overall algorithmic complexity. In addition, the performance of the 1976 color spaces under different viewing conditions is not their only problem.
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Chromatic adaptation is the human visual system’s ability to adjust to changes in illumination in order to preserve the appearance of object colors. It is responsible for the stable appearance of object colors despite the wide variation of light which might be reflected from an object and observed by our eyes.