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"Obsesión" is a 1935 Spanish-language bolero song by Puerto Rican songwriter Pedro Flores.The song is one of Flores' best known has been recorded by many artists. Flores was resident in New York where his Cuarteto Flores, including Panchito Riset and Daniel Santos, made his boleros popular.
By 1946, the trio's exceptional virtuosity and authenticity had attracted the attention of Edmund Chester at CBS Radio's Cadena de Las Americas (Network of the Americas). [6] [7] Los Panchos were immediately invited to perform as "musical ambassadors" on the network's Viva América program to support cultural diplomacy in twenty countries throughout Latin America and South America.
Street band from Peru performing El Cóndor Pasa in Tokyo. Andean music is a group of styles of music from the Andes region in South America.. Original chants and melodies come from the general area inhabited by Quechuas (originally from Peru, Bolivia, Ecuador, Chile), Aymaras (originally from Bolivia), and other peoples who lived roughly in the area of the Inca Empire prior to European contact.
Musically "Inolvidable" is a bolero. [6] According to Rodrigo Bazán, in his book Y Si Vivo Cien Años... Antología del Bolero en México, the song was not different from others that were released at the time about unhappy love, but differed from other popular genres that based their lyrics on the lack of love such as tango.
Boleros rancheros con la acariciante voz de Flor Silvestre is a studio album by Mexican singer Flor Silvestre, released in 1967 by Musart Records. [ 1 ] Critical reception
He renamed his band "Los Lobos del Mambo" ("the mambo wolves") and later dropped the name altogether, deciding to go with "The Tito Rodríguez Orchestra". The first song that he recorded under the band's new name which became a "hit" was " Bésame La Bembita " (Kiss My Big Lips).
Boleros (2010) Celebrando (2012) Boleros is a compilation album released by Juan Gabriel on December 7, 2010. Track listing. All tracks are written by Juan Gabriel. No.
"Dos gardenias" is a bolero written in 1945 by Cuban composer and pianist Isolina Carrillo. [2] Widely considered a standard of the Latin music repertoire, the song became a hit for Daniel Santos in 1948, due to his recording with La Sonora Matancera with an arrangement by Pérez Prado.