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The depiction of winter landscapes in Western art begins in the 15th century, as does landscape painting in general. Wintry and snowy landscapes are very rarely seen in earlier European painting since most of the subjects were religious. Gold ground paintings had no painted backgrounds and other narrative scenes had highly stylized trees and ...
The Hunters in the Snow (Dutch: Jagers in de Sneeuw), also known as The Return of the Hunters, is a 1565 oil-on-wood painting by Pieter Bruegel the Elder.The Northern Renaissance work is one of a series of works, five of which still survive, that depict different times of the year.
His father Francis was a doctor and laird of Finzean. Joseph was educated in Edinburgh and permitted by his father to paint only on Saturdays using his father's paint box. When Joseph reached the age of 12, Francis Farquharson bought his son his first paints and only a year later he exhibited his first painting at the Royal Scottish Academy. [2]
The Shortening Winter's Day is near a Close; Skaters in the Bois de Boulogne; Sledging on the Neva; Snow at Argenteuil; Snow Storm: Hannibal and his Army Crossing the Alps; Snow Storm: Steam-Boat off a Harbour's Mouth; A Sorcerer Comes to a Peasant Wedding; Stalingrad (painting) Stetind in Fog; Suvorov crossing the Alps
Winter Landscape with a Bird Trap, also known as The Bird Trap, is a panel painting in oils by the Flemish painter Pieter Bruegel the Elder, from 1565, now in the Oldmasters Museum in Brussels. It shows a village scene where people skate on a frozen river, while on the right among trees and bushes, birds gather around a bird trap.
A bird trap is seen to the left among other farm implements and the whole scene is overshadowed by a church to the left. Winter Landscape with Skaters is considered one of Avercamp's earliest works, and is painted in a style strongly reminiscent of Pieter Bruegel the Elder's 1565 painting Winter Landscape with Ice skaters and Bird trap. Some ...
A Winter Scene with Skaters near a Castle is an oil-on-oak painting undertaken between 1608 and 1609 by the Dutch artist Hendrick Avercamp. [1]As with a number of Avercamp's works, the picture is part of the Flemish tradition of painting "the harmony of human activity and the cycle of nature". [2]
Throughout the winter of 1874-1875, Monet continuously painted snow scenes in and around his home at Argenteuil. [3] Fascinated by the trains traveling through his local station on their way to Paris, the artist worked on his paintings while standing on the station platform. [3]
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