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"Pilot" is the first episode of the FX crime drama television series The Shield. It was written by series creator Shawn Ryan, directed by Clark Johnson, and originally aired on March 12, 2002. [1] [2] The episode received Emmy Award nominations for both its writing and directing.
The Shield is an American crime drama television created by Shawn Ryan and starring Michael Chiklis. The series premiered on FX on March 12, 2002 and ended on November 25, 2008, totaling 88 episodes over seven seasons, plus one additional mini-episode. Series overview Season Episodes Originally released First released Last released 1 13 March 12, 2002 (2002-03-12) June 4, 2002 (2002-06-04) 2 ...
The premiere episode of The Shield had a 4.1 rating, at the time a record for a dramatic program on basic cable. However, The Shield lost advertising from Burger King, New Balance, Office Depot, and Tricon Global Restaurants, in part due to complaints from the Parents Television Council. [23]
The Shield: Music from the Streets was released in 2005, [1] and contains selections from the first four seasons. Unofficial soundtracks on the Internet compiled by fans include tracks featured in episodes that were not included on the official soundtrack.
"Family Meeting" is the 13th (and in subsequent broadcasts, the 14th, as it was split in a two-part episode because of its length following the original broadcast) and final episode of the seventh season and the series finale of The Shield. The episode aired on FX on November 25, 2008, and was written by Shawn Ryan and directed by Clark Johnson.
Captain Monica Rawling is a fictional character from the FX television show The Shield, played by Glenn Close, [1] who received an Emmy nomination as Outstanding Lead Actress in a Drama Series for her performance, and Golden Globe Award nomination as Best Performance by an Actress in a Television Series - Drama.
A coalition of nonprofit aid groups said Wednesday at an emergency hearing that the Trump administration's "opaque and chaotic" 90-day pause on foreign aid had already "devastated" their ...
Graeme Virtue at The Guardian praised the more focused, personal stakes of the episode, noting that "it's easier to cheer for scrappy underdogs than a huge, militarised Big Brother organisation like SHIELD", as well as Grant Ward's storyline, but criticized the episode's use of Bear McCreary's score, calling it "backgrounded". [18]
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