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Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s [1] to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s [1] to describe a new current within jazz which incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.
Modal jazz, as pioneered by Miles Davis, among others, is characterized by the use of modes, such as dorian modes, as the primary organizing element. Neo-bop jazz: Neo-bop jazz, notably associated with Wynton Marsalis, is a comparatively accessible, "retro" genre that emerged in the 1980s as a stylistic reaction against free jazz and jazz fusion.
Hard bop was developed in the mid-1950s, coalescing in 1953 and 1954; it developed partly in response to the vogue for cool jazz in the early 1950s and paralleled the rise of rhythm and blues. It has been described as "funky" and can be considered a relative of soul jazz. [153] Some elements of the genre were simplified from their bebop roots ...
Hard bop, an extension of bebop (or "bop") music that incorporates influences from rhythm and blues, gospel music, and blues, especially in the saxophone and piano playing, developed in the mid-1950s, partly in response to the vogue for cool jazz in the early 1950s. The hard bop style coalesced in 1953 and 1954, paralleling the rise of rhythm ...
Post-bop isn't free or fusion or hard-bop or modal or avant-garde." [3] Some writers have defined post-bop with specificity, but these sources conflict with one another. [1] One potential definition of post-bop is a musical period in which modern jazz was at its greatest mainstream popularity extending from the mid-1950s through to the mid-1960s.
"Oleo" is a hard bop composition by Sonny Rollins, written in 1954. It has become a jazz standard, [2] and has been performed by numerous jazz artists such as Miles Davis, John Coltrane, and Bill Evans.
He assumed a central role in hard bop, less radical in harmony and melody, and used popular songs and American standards as starting points for improvisation. Hard bop distanced itself from cool jazz with a harder beat and music inspired by the blues. [62] A few critics consider Walkin' (April 1954) the album that created the hard bop genre. [22]