Search results
Results from the WOW.Com Content Network
Kant described the relationship between these finer feelings and humanity. The feelings are not totally separate from each other. Beauty and the sublime can be joined or alternated. Kant claimed that tragedy, for the most part, stirs the feeling of the sublime. Comedy arouses feelings for beauty.
Immanuel Kant [a] (born Emanuel Kant; 22 April 1724 – 12 February 1804) was a German philosopher and one of the central Enlightenment thinkers. Born in Königsberg, Kant's comprehensive and systematic works in epistemology, metaphysics, ethics, and aesthetics have made him one of the most influential and controversial figures in modern Western philosophy.
Kant's ideas allowed Johann Friedrich Blumenbach and his followers to formulate the science of types (morphology) and to justify its autonomy. [5] Kant held that there was no purpose represented in the aesthetic judgement of an object's beauty. A pure aesthetic judgement excludes the object's purpose. [6]
In Kant's Transcendental Idealism, Henry E. Allison proposes a new reading that opposes, and provides a meaningful alternative to, Strawson's interpretation. [14] Allison argues that Strawson and others misrepresent Kant by emphasising what has become known as the two-worlds reading (a view developed by Paul Guyer). This—according to Allison ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
The book received positive reviews from Thomas Huhn in Journal of Aesthetics and Art Criticism and A. T. Nuyen in Philosophy of the Social Sciences. [3] [4] Huhn described the book as "brilliant", writing that Lyotard provided a "provocative reading of Kant's doctrine of the sublime". [3]
Thomas Weiskel re-examined Kant's aesthetics and the Romantic conception of the sublime through the prism of semiotic theory and psychoanalysis. [23] He argued that Kant's "mathematical sublime" could be seen in semiotic terms as the presence of an excess of signifiers , a monotonous infinity threatens to dissolve all oppositions and distinctions.
Kant created an architectonic system in which there is a progression of phases from the most formal to the most empirical: [1] "Kant develops his system of corporeal nature in the following way. He starts in the Critique with the most formal act of human cognition , called by him the transcendental unity of apperception , and its various ...